The secret lies in the fact that, from leg to leg of the performer, at
about the height of the figure from the ground, is fixed (generally by
means of a couple of bent pins), a fine black silk thread, of eighteen
or twenty inches in length
The secret lies in the fact that, from leg to leg of the performer, at
about the height of the figure from the ground, is fixed (generally by
means of a couple of bent pins), a fine black silk thread, of eighteen
or twenty inches in length. This allows him to move about without any
hindrance. On each side of the head of the figure is a little slanting
cut, tending in a perpendicular direction, and about half an inch in
length. The divided portions of the cardboard are bent back a little,
thus forming two ‘hooks,’ so to speak, at the sides of the head. When
the performer takes his seat, as before mentioned, the separation of
his legs draws the silk comparatively taut, though, against a
moderately dark background, it remains wholly invisible. When he first
places the figure on the ground, he does so simply, and the figure
naturally falls. He makes a few sham mesmeric passes over it, but
still it falls. At the third and fourth attempt, however, he places it
so that the little hooks already mentioned just catch the thread, and
the figure is thus kept upright. When the music commences, the
smallest motion, or pretence of keeping time with the feet is enough
to start the sailor in a vigorous hornpipe.
